Within the context of the exhibition ‘History of Art’ organized by Metro 21 at Factoría Franklin, I was invited to collaborate with Simón a.k.a. Saintrobot to experiment with the intersection between painting and sound. The approach was an exercise in creating a sound instrument that was inhabitable and walkable, to explore site-specific sonorities. Simón, inspired by the sonic atmosphere generated during the improvisation, traced lines in real time, composing shapes that were distributed throughout the space.

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Tension and resonance.

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This is the exploration of an instrument that involves movement within itself and allows experimenting with tensions that converge on a single surface, which in turn is tensioned by the metallic structure characteristic of the space’s architecture. A space that holds history and resonates.
Rust and dust testify to the passage of time, wear, and history.
This is an exercise in possible instruments.
Documentation by Luz Andrea.

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